Identifying fakes: Difference between revisions
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With cassette piracy being rampant in the 80s and 90s, fake tapes are | With cassette piracy being rampant in the 80s and 90s, fake tapes are an inevitability in war music, especially as a result of the hyperinflated economy in wartime Yugoslavia. | ||
Fake tapes ( | Fake tapes (most commonly known as "bootlegs") are somewhat of a mixed blessing for collectors. Obviously the authenticity of the material is destroyed since the tape, j-card and labels are not genuine, but it is possible to get higher quality audio from a fake tape than a real one. Some duplication houses (where the albums were transferred from their masters onto cassettes to be sold in stores) had notoriously bad quality control, with cheap tapes that are nearly impossible to find in good condition. | ||
Fakes however | Fakes however may have been recorded onto higher quality ''consumer'' tapes (cassettes produced and sold in the consumer market for the sole purpose of home recording). That means it is possible to have a fake tape that is effectively a 'snapshot' of an undegraded tape from the 90's. A bootleg could theoretically give you higher quality audio than an original version of the tape, especially if found today, as many of the originals have degraded. | ||
To be clear, bootlegs are a gamble and can be wildly inconsistent, but a bootleg of a rare album is much better than not having the album at all. | To be clear, bootlegs are a gamble and can be wildly inconsistent, but a bootleg of a rare album is much better than not having the album at all. | ||
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On most genuine cassette covers, the paper will have a general sheen across the entire card, and won't have parts that look matte while others reflect light. | On most genuine cassette covers, the paper will have a general sheen across the entire card, and won't have parts that look matte while others reflect light. | ||
Fine lines on fake tapes will often appear blurry. This is easy to notice on letters and graphics, but can also affect the main cover photo. Blur on cards is easier to notice in person, because scanning nearly any J-card can introduce blur in some areas. If you notice blur on the J-card as you hold it, that's a sign of a fake tape. | |||
Speaking of lines, you may also see odd and faded parallel lines that cut through the entire J-card, indicating it was printed on a | Speaking of lines, you may also see odd and faded parallel lines that cut through the entire J-card, indicating it was printed on a poorly calibrated inkjet printer. [[File:Zbogom-oruzje-fake-j-card-front-balkanmapper.jpg|left|thumb|A fake [[Zbogom oružje]]. Notice the very vibrant colors, blurry image and excess white at the edges|302x302px]]On a macro, or even scanner level, the dots that make up the picture on a genuine J-card will look much different than the grainy, coherent texture of a card that was produced by an inkjet. The text and logos on real J-cards will often be much sharper than pictures, so if your letters don't look clear in your scanner, you may have a fake. | ||
Since fake J-Cards were cut by hand most of the time, | Since fake J-Cards were cut by hand most of the time, it is not rare to see white edges of blank paper around the perimeter of the card. In some cases, this can make the card too big for the case giving a crinkled or bent look when putting it back in. There are also imperfect cuts in which there are missing parts of the cover due to being cut at an odd and inconsistent angle. Improper borders don't necessarily guarantee a tape is fake, but they are an additional feature to look for if you are already noticing some of the aforementioned signs. | ||
The last obvious indicator is when the design of the cover changes. Some album covers did change between reissues of the same album, but it was a fairly rare practice outside of releases by other labels or additions of singer logos. Another dead giveaway in this regard is when the back off a J-card is completely blank with no text. Very rarely genuine albums have been found without text on the back of their J-cards, but these are usually obscure releases by small labels and not by any big, known labels. | The last obvious indicator is when the design of the cover changes. Some album covers did change between reissues of the same album, but it was a fairly rare practice outside of releases by other labels or additions of singer logos. Another dead giveaway in this regard is when the back off a J-card is completely blank with no text. Very rarely genuine albums have been found without text on the back of their J-cards, but these are usually obscure releases by small labels and not by any big, known labels. | ||
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== Cassettes == | == Cassettes == | ||
[[File:Brano-Trifkovic-Srbin-je-ponos-fake-cassette-side-a-balkanmapper.jpg|thumb|302x302px|A fake [[Srbin je ponos]]. The cassette itself has an entirely different label than any genuine copy. Also the printing of the blank TDK tape used for the bootleg can be seen to the right]] | [[File:Brano-Trifkovic-Srbin-je-ponos-fake-cassette-side-a-balkanmapper.jpg|thumb|302x302px|A fake [[Srbin je ponos]]. The cassette itself has an entirely different label than any genuine copy. Also the printing of the blank TDK tape used for the bootleg can be seen to the right]] | ||
As cassette labels are hard to scan, bootlegs often lack sharpness and detail. This can be seen in letters having gaps in them or by being very blurry. To avoid that, bootleggers sometimes opt to remake the tape labels, creating a new design. These ones are very obvious to spot as they differ substantially to known originals. They can lack rights texts, relevant information like publishers, logos, catalog numbers and can use different typefaces or side indicators. In some cases bootleggers will have their own sophisticated label templates for the cassette labels. For example some [[Srpski Talibani]] bootlegs have an "In Moorton Benson" text with a logo of two seahorses over a fake catalog number, a template used for many bootlegs of various albums. The color is also a big indicator, as most genuine releases have labels printed on white paper, while a majority of bootlegs will print genuine graphics on bright colors like red or yellow. | As cassette labels are hard to scan, bootlegs often lack sharpness and detail. This can be seen in letters having gaps in them or by being very blurry. To avoid that, bootleggers sometimes opt to remake the tape labels, creating a new design. These ones are very obvious to spot as they differ substantially to known originals. They can lack rights texts, relevant information like publishers, logos, catalog numbers and can use different typefaces or side indicators. In some cases bootleggers will have their own sophisticated label templates for the cassette labels. For example some [[Slušajte dok vas ne uhvate za .....|Srpski Talibani]] bootlegs have an "In Moorton Benson" text with a logo of two seahorses over a fake catalog number, a template used for many bootlegs of various albums. The color is also a big indicator, as most genuine releases have labels printed on white paper, while a majority of bootlegs will print genuine graphics on bright colors like red or yellow. | ||
The cassette used for bootlegs can often vary. Very rarely they are recorded over actual blank cassettes from factories, making them look more official. A lot of times it will be recorded over a blank consumer cassette. This will be visible, for example when shining a flashlight at the cassette and seeing the pad printed text of the blank cassette (logos, side indicator, etc.) coming through the paper labels. If that is the case, the tape length can also exceed the albums length, creating way too much blank space with just noise after the songs of the side end. It is also common for bootleg cassettes to be taped over other official releases. This can either be seen by bootleg labels being glued on the previous labels, or over a previously pad printed release. | The cassette used for bootlegs can often vary. Very rarely they are recorded over actual blank cassettes from factories, making them look more official. A lot of times it will be recorded over a blank consumer cassette. This will be visible, for example when shining a flashlight at the cassette and seeing the pad printed text of the blank cassette (logos, side indicator, etc.) coming through the paper labels. If that is the case, the tape length can also exceed the albums length, creating way too much blank space with just noise after the songs of the side end. It is also common for bootleg cassettes to be taped over other official releases. This can either be seen by bootleg labels being glued on the previous labels, or over a previously pad printed release. | ||
Revision as of 08:33, 16 November 2024
With cassette piracy being rampant in the 80s and 90s, fake tapes are an inevitability in war music, especially as a result of the hyperinflated economy in wartime Yugoslavia.
Fake tapes (most commonly known as "bootlegs") are somewhat of a mixed blessing for collectors. Obviously the authenticity of the material is destroyed since the tape, j-card and labels are not genuine, but it is possible to get higher quality audio from a fake tape than a real one. Some duplication houses (where the albums were transferred from their masters onto cassettes to be sold in stores) had notoriously bad quality control, with cheap tapes that are nearly impossible to find in good condition.
Fakes however may have been recorded onto higher quality consumer tapes (cassettes produced and sold in the consumer market for the sole purpose of home recording). That means it is possible to have a fake tape that is effectively a 'snapshot' of an undegraded tape from the 90's. A bootleg could theoretically give you higher quality audio than an original version of the tape, especially if found today, as many of the originals have degraded.
To be clear, bootlegs are a gamble and can be wildly inconsistent, but a bootleg of a rare album is much better than not having the album at all.
This article will provide ways of identifying bootlegs, and will show what to look for if you believe a tape is fake.
Cover
The easiest step in identifying a fake cassette is also the first thing you see, the cover.
The most obvious indicator of a fake tape is the colors of the printed J-card. Fake tapes will either have washed out and very pale colors or be extremely vibrant and bright. It's also possible that blacks and darker colors will have an odd sheen to them, that's different from the otherwise matte paper. In some cases, the color will be missing entirely and you'll get a black and white cover, or black with whatever odd color paper the cover was printed on.
On most genuine cassette covers, the paper will have a general sheen across the entire card, and won't have parts that look matte while others reflect light.
Fine lines on fake tapes will often appear blurry. This is easy to notice on letters and graphics, but can also affect the main cover photo. Blur on cards is easier to notice in person, because scanning nearly any J-card can introduce blur in some areas. If you notice blur on the J-card as you hold it, that's a sign of a fake tape.
Speaking of lines, you may also see odd and faded parallel lines that cut through the entire J-card, indicating it was printed on a poorly calibrated inkjet printer.
On a macro, or even scanner level, the dots that make up the picture on a genuine J-card will look much different than the grainy, coherent texture of a card that was produced by an inkjet. The text and logos on real J-cards will often be much sharper than pictures, so if your letters don't look clear in your scanner, you may have a fake.
Since fake J-Cards were cut by hand most of the time, it is not rare to see white edges of blank paper around the perimeter of the card. In some cases, this can make the card too big for the case giving a crinkled or bent look when putting it back in. There are also imperfect cuts in which there are missing parts of the cover due to being cut at an odd and inconsistent angle. Improper borders don't necessarily guarantee a tape is fake, but they are an additional feature to look for if you are already noticing some of the aforementioned signs.
The last obvious indicator is when the design of the cover changes. Some album covers did change between reissues of the same album, but it was a fairly rare practice outside of releases by other labels or additions of singer logos. Another dead giveaway in this regard is when the back off a J-card is completely blank with no text. Very rarely genuine albums have been found without text on the back of their J-cards, but these are usually obscure releases by small labels and not by any big, known labels.
Cassettes
As cassette labels are hard to scan, bootlegs often lack sharpness and detail. This can be seen in letters having gaps in them or by being very blurry. To avoid that, bootleggers sometimes opt to remake the tape labels, creating a new design. These ones are very obvious to spot as they differ substantially to known originals. They can lack rights texts, relevant information like publishers, logos, catalog numbers and can use different typefaces or side indicators. In some cases bootleggers will have their own sophisticated label templates for the cassette labels. For example some Srpski Talibani bootlegs have an "In Moorton Benson" text with a logo of two seahorses over a fake catalog number, a template used for many bootlegs of various albums. The color is also a big indicator, as most genuine releases have labels printed on white paper, while a majority of bootlegs will print genuine graphics on bright colors like red or yellow.
The cassette used for bootlegs can often vary. Very rarely they are recorded over actual blank cassettes from factories, making them look more official. A lot of times it will be recorded over a blank consumer cassette. This will be visible, for example when shining a flashlight at the cassette and seeing the pad printed text of the blank cassette (logos, side indicator, etc.) coming through the paper labels. If that is the case, the tape length can also exceed the albums length, creating way too much blank space with just noise after the songs of the side end. It is also common for bootleg cassettes to be taped over other official releases. This can either be seen by bootleg labels being glued on the previous labels, or over a previously pad printed release.
Hall of Shame
Here we will showcase some of the bootleg tapes that have wound up in our collections, to help show you more examples so you know what to look out for.
- Recorded over a 1990 TDK cassette
- White on the bottom of the J-card
- Blurry cover
- Saturated colors
- Different cassette label
